![]() ![]() 'The African Asili,' in Selected Papers from the Proceedings of the Conference on Ethics, Higher Education and Social Responsibility, Washington, D.C.: Howard University Press, 1996.Yurugu: An Afrikan-centered Critique of European Cultural Thought and Behavior.'The African 'Aesthetic' and National Consciousness,' in Kariamu Welsh-Asante (ed.), The African Aesthetic, Westport, Ct.: Greenwood Press, 1993 (63-82).'The Nyama of the Blacksmith: The Metaphysical Significance of Metallurgy in Africa,' Journal of Black Studies. ![]() 'Let The Circle Be Unbroken: The Implications of African-American Spirituality,' Présence Africaine.New York: Nkonimfo Publications, 1988 (orig. Let The Circle Be Unbroken: The Implications of African Spirituality in the Diaspora.Vandi (eds), Contemporary Black Thought, Beverly Hills: Sage Publications, 1980 (59-79). 'European Mythology: The Ideology of Progress,' in M.4, Winter, 1979, and Présence Africaine, No. 'The Ideology of European Dominance,' The Western Journal of Black Studies.Stephen Howe accuses Ani of having little interest in actual Africa (beyond romance) and challenges her critique of 'Eurocentric' logic since she invests heavily in its usage in the book. : 175Molefi Kete Asante describes Yurugu as an 'elegant work'. Philip Higgs, in African Voices in Education, describes Yurugu as an 'excellent delineation of the ethics of harmonious coexistence between human beings', but cites the book's 'overlooking of structures of social inequality and conflict that one finds in all societies, including indigenous ones,' as a weakness. ![]()
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